Iwo Jima Movies Clint Eastwood
- Clint Eastwood full list of movies and tv shows in theaters, in production and upcoming films. Letters From Iwo Jima (Movie) 2006 Million Dollar Baby (Movie) 2004.
- Jan 10, 2007 - Clint Eastwood has examined the Battle of Iwo Jima in two recent films. His latest movie, Letters from Iwo Jima, explores the perspective of the.
Q. Although there are rare times when a remake is justified, such as when the world has greatly changed and it would be relevant to see how such events would affect precise film characters, I'm greatly annoyed at Hollywood's lack of creativity. If I see one more film version of a '60s or '70s TV show (now we have 'Get Smart' to deal with), I'm going to puke. Richard Voza, Mickleton, N.J.A.
After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama.
You may have to lay in a supply of sick bags. With its $38 million opening weekend, 'Get Smart'' looks like the launch of a franchise. And it will justify the filming of still more old TV retreads, although the bottom of the barrel must be approaching. All hail to Kevin Costner, who refuses to do sequels. However, how much work has that cost him, compared to Harrison Ford; their career paths have crossed many times, but Ford is notably receptive to sequels.
Q.I understand your review of 'The Happening' as a study of the reaction to an unknown threat by the masses. However, I left the theater feeling sick after all of the graphic, depraved suicides. Please comment on the value of the continuous death scenes and why you chose not to acknowledge that M. Night Shyamalan felt that it was necessary to video a man starting a lawn mower, watching it roll around, lying down in front of it, and then getting gored by the mower when the audience knew full well what the man intended to do.Jed Nolan, Morgantown, W. VAA.
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You could argue that at the point when he did that, the man was no longer himself but had lost his sense of reason. That could be symbolic of the planetary suicide that the movie says we are currently committing.
Q. In your review of 'The Love Guru,' you once again credit Mike Myers with creating peek-a-boo prop placement in the 'Austin Powers' films. I think it's past time that we all acknowledge, as Myers himself has, that he stole the whole idea from the late, great Benny Hill, whose television shows he saw growing up in Canada, years before they were shown in the USA. I'll note here that Hill never overdid it to the degree that Myers does. Mike Doran, Oak LawnA.
Credit given. I think 'prop placement' is an excellent term for the technique you refer to, which involves using props on the screen to conceal a moving object, such as Austin Powers' whatchamacallit.
Q. You know the action sequence involving the freefall without a parachute where one person catches up to another? The first time I saw it was in 'Moonraker,' and many times since, including 'Point Break,' 'Shoot 'em up' and 'Crank.' But is it accurate that when freefalling, you can change the velocity to which you are approaching the earththat dramatically, that by closing your arms and legs together, you could catch up to someone flailing their arms and legs?Tor Ramsey, Shelby, N.C.A.
Letters From Iwo Jima Review
For an answer, I turned to computer columnist Andy Ihnatko of Boston, who somehow always knows about stuff like this. He replies: 'Yes, it is absolutely true. The short answer is to think about how fast a skydiver falls before and after the chute deploys. Same man, same parachute; after he pulls the ripcord, he's exposing more surface area to the onrushing air. Simple. Or you can take a look at a YouTube video, which you can find by searching for 'indoor skydive.' It shows a static skydive attraction where a huge turbofan in the floor blows upward at the same force as you'd encounter after jumping from a plane. The person in 'freefall' position perpendicular to the oncoming air is hovering four feet above the floor. The person who's presenting the lowest profile can stand in place like nothing unusual is going on.'
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Q. I have been an Indy fan for as long as I can remember; I grew up on the movies. I thought 'Indiana Jones and the Kingdom of the Crystal Skull' was a fantastic movie, and I sat through the movie with the biggest grin on my face. And it wasn't just because the movie itself was great. As I was watching, I noticed that the same sound effects were used from the other three movies for the punches in the fights. Also, the same ambient jungle sounds from 'Raiders' were used. Hearing these sounds put together with different pictures and sequences made the movie truly special for me. Did you pick up on this re-use as you were watching the film? And if so, did it have a similar effect on you? Jonathan Furr, Concord, N.C.A.
Sound effects experts often recycle existing sounds from other movies. At rogerebert.com, look up 'The Wilhelm Scream' in the Answer Man archive for another example of sounds that live on long after they were first used. First used in 1951, the Scream is still being employed today.
Q. In your review of the spy spoof 'Johnny English,' you said, 'Can we all pretty much agree that the spy genre has been spoofed to death?' I noticed that you gave 'Get Smart'' -- a spy spoof, which, based on the trailer and outside reviewers, seems pretty mediocre -- a whopping 3.5 stars. What do you feel sets 'Get Smart'' ahead of films like 'Johnny English,' since both seem so heavily reliant on slapstick and silliness?Adam Fangman, Omaha, Neb.A.
I begin with the advantage of having seen both films. But I nevertheless feel the spy genre has been pretty much spoofed to death.
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Upgrade to PremiumTrailerThe movie follows General Tadamichi Kuribayashi, the American-educated general as he courageously leads the Japanese resistance to the massive American onslaught of the island of Iwo Jima during World War II.Actors: Ken Watanabe,Kazunari Ninomiya,Tsuyoshi Ihara,Ryo Kase,Shid么 Nakamura,Hiroshi Watanabe,Takumi Bando,Yuki Matsuzaki,Takashi Yamaguchi,Eijiro Ozaki,Nae,..»Country: United StatesQuality: HDIMDb: 7.9Keywords:- Played by: Ken WatanabePlayed by: Kazunari NinomiyaPlayed by: Tsuyoshi IharaPlayed by: Ryo KasePlayed by: Shid么 NakamuraPlayed by: Hiroshi WatanabePlayed by: Takumi BandoPlayed by: Yuki MatsuzakiPlayed by: Takashi YamaguchiPlayed by: Eijiro OzakiPlayed by: NaePlayed by: Nobumasa SakagamiPlayed by: Lucas Elliot EberlPlayed by: Sonny SaitoPlayed by: Steve Santa SekiyoshiPlayed by: Hiro AbePlayed by: Toshiya AgataPlayed by: Yoshi IshiiPlayed by: Toshi TodaPlayed by: Ken KenseiPlayed by: Ikuma AndoPlayed by: Akiko ShimaPlayed by: Masashi NagadoiPlayed by: Mark MosesPlayed by: Roxanne HartPlayed by: Yoshio IizukaPlayed by: MitsuPlayed by: Takuji KuramotoPlayed by: Avery WadaPlayed by: Yoshi Tomo KanedaPlayed by: Evan EllingsonPlayed by: Kazuyuki MorosawaPlayed by: Masayuki YonezawaPlayed by: Hiroshi Tom TanakaPlayed by: Mathew BotuchisPlayed by: Yukari BlackPlayed by: Daisuke NagashimaPlayed by: Kirk EnochsPlayed by: Taishi MizunoPlayed by: Yoshi AndoPlayed by: Mark OfujiPlayed by: Hallock BealsPlayed by: Jeremy GlazerPlayed by: Masashi OdatePlayed by: London KimPlayed by: Dick 'Skip' Evans
- Birthdate: 31 May 1930, San Francisco, California, USA
An even more sombre affair, as beautifully restrained as the earlier film but also, despite its scenes of battle, death, suicide and suffering, shockingly intimate.
The movie's sense of doom is powerfully conveyed; one graphic scene has weeping soldiers blowing themselves up with grenades.
Indirectly but cogently comment on our experiences of other movies. Having Japanese soldiers as heroes allows us to reconsider the didacticism we've been handed in the past.
The proper way to appreciate Letters and Flags is to treat them as complimentary halves of the same epic movie, a Godfather war epic. One half is plainly more ambitious than the other, but both have virtues that distinguish them.
By placing us on the opposite side of the battlefield, the movie forces us to approach it from a fresh perspective. The technique also lends Letters an uncommon timelessness.
Where Flags heaved its characters through war and psychic trauma without first allowing us all to get acquainted, Letters takes such care with its protagonists that they awaken and descend from the screen.
Modern-day echoes of being snookered into a bad war aren't lost on Clint Eastwood, and 'Letters from Iwo Jima' delivers an overwhelmingly powerful eulogy for the death of righteousness in combat on either side of the line.
Not an anti-war tract or a glorification but, rather, a fair consideration of humanity that exists within the inhumanity of armed conflict.
Eastwood is a master of the extended look (this comes from the two directors he acknowledges as his own masters, Sergio Leone and Don Siegel), the look that stretches time and that is blinded by what it sees.
The most important film of 2006 was Clint Eastwood's Letters from Iwo Jima. In 20 years Letters from Iwo Jima will be a classic.
War is hell, always has been, and movies will continue to confirm it for anyone who might doubt. In this case, though, Letters only shows that for all the different perspective the other side of a war could have, it's the same old movie clich茅s.